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CHAPITRE 6—LA GAMME PENTATONIQUE                                                         72

Leçon 1 : La Gamme Pentatonique Mineure                                                                                              72

Return of the Son of Still A Minor at 32                                                                                                           76

Leçon 2 : La Gamme Pentatonique Majeure                                                                                                 78

Eight Ball in the Corner Blues—Solo #1                                                                                                           82

Eight Ball in the Corner Blues—Solo #2                                                                                                           82

Eight Ball in the Corner Blues—Solo #3                                                                                                           83

. 6 Lesson I: Minor Chords .......................................

8 Heavy Fog ............................................... ........................

10 Heavy Fog, It Makes Ale Happy ....................

10 Lesson 2: G's Bluegrass Accord

11 and Another Agreement of C ....................................

II The One-Human Garage Band ....................... .................... .............

12 Lesson 3: The Art of Attacking the Ropes .................

I 3 Train of Dreams ............................................

14 Lesson 4: Country and Bluegrass Rhythms ........

15 Boil that Cabbage Down .................................

15 Shady Grove ............................................... ..

15Lesson 5: Country and Bluegrass with a Pick ........

Sail Away Ladies

Lesson 6: Syncopated Rhythms

Lesson 7: The Waltz

16Amazing Grace............................................

Chord Notations

The notations or encryption of chords are diverse and often contradictory, the signs used having different meanings according to the notations. We will propose here a summary table of the main notations commonly encountered in musical literature, for the different types of chords, making it possible to make the link with the notation proposed in the method and to define groups of equivalent notations.

The table below is based on the C chord, which can easily be transposed to other degrees by changing the letter defining the name of the chord, its quality remaining unchanged. The chords are classified by increasing density, and at equal density, we have first the major chords, then the minor chords, the suspended chords and finally the so-called altered chords.

Major minor and altered chords

Fifth cycle

The general rule of chord progression with the cycle of fifths.

The chords move from fifth to fifth.

C - G - D - A - E - B - (F # or Gb) - Db - Ab - Eb - Bb - F - C

C G D A E B (F # Gb)

Example: C C # DD # E F F # G G # A A # B / C C # DD # E F F # G G # A A # B / C C # DD # E F F # G G # A A # B / C C # DD # E F F # G G # A A # B /

Db Ab Eb Bb F C

C Db D Eb E F Gb G Ab A A Bb B / C Db D Eb E F Gb G Ab A A Bb B / C Db D Eb E F Gb G Ab A A Bb B / C Db D Eb E F Gb Bb B /

Harmonic progressions in key of C major

Harmonic progressions in key of Db major

Harmonic progressions in tonalite of D major

Harmonic progressions in key of Eb major

Harmonic progressions in key of E major

Harmonic progressions in key of F major

Progressions harmoniques en tonalité de F# majeur

Harmonic progressions in key of G major

Harmonic progressions in key of Ab major

Progressions harmoniques en tonalité de A majeur

Harmonic progressions in key of Bb major

Diagrams for chords and scales

The following pages provide sets of diagrams that can be used for notation of chord or scale representations in multiple contexts:

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